NIBA's IRP magazine
We’ve started doing creative portraits for the new “People Q&A” section in NIBA‘s Insurance & Risk Professional magazine. Published by Mahlab Media, Graphic Designer Jack Pike wanted a “Time Magazine” feel for the portraits. We get about an hour with the subject and have lots of fun exploring different poses, techniques and styles to achieve images that reflect the subject and the theme of the story.
Caroline O'Connor
Currently starring in the smash hit musical comedy “Anything Goes”, Caroline O’Connor took time out from her busy schedule to catch up with Journalist Jo-Anne Hui and Art Director Nina Christian from Mahlab Media for an interview and photoshoot for “Active Retirees” magazine. Always the consummate professional, Caroline was a delight to work with and didn’t hesitate to jump into any pose we required! A really enjoyable shoot.
Styling: Annette Twemlow
Hair and make-up: Lisa Toyer
MALE MODELS: David Helman and Joel Berliner
CLOTHES: Blue dress, jewellery and kimono, dinner suits: Vintage Clothing Shop
LOCATION: The Vanguard, Newtown
Brewster Murray Architects
We were recently commissioned by our good friends at Rifle Media to execute the photography for the website re-design of Brewster Murray Architects. The individual portraits and group shot were done in our Sydney Liverpool Street studios, whilst the staff working shots were done at BMA’s offices. A very cost effective and enjoyable half day photoshoot produced an abundance & variety of great images to choose from for us to complete the final retouching.
Corporate Portraits - The Simple Solution
As much as “we” the Studio Commercial photographers crowd our blog with pictures that ooze imagination, colour & creativity, there is none the less a big calling for the clean and simple, as we like to say: “White is the new white”
Canon Cameras has run a campaign for a number of years with the slogan “Advanced Simplicity” this featured just a single camera on a blank white page… the power of this approach is not to be underestimated.
In a similar way a corporate headshot on white can offer, in an instant, a concise and un-distracted view of “the voice at the other end of the phone” this brings the viewer face to face with a real person. Quick, simple and cost effective.